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our songwriters.
8PEX Company
Tom Cardy (born 12 June 1994) is an Australian comedian, musician, songwriter, and actor. He became known in Australia for his "Song Sequels" segments on the radio station Triple J in 2020, and achieved more international recognition when he began posting comedy songs and videos on TikTok and YouTube. He has composed music for the comedy series The Feed and The Moth Effect, as well as the animated web series Helluva Boss. His debut EP, Artificial Intelligence (2021), peaked at No. 40 on the ARIA Albums Chart. He was shortlisted for the AACTA Award for Favourite Digital Content Creator and the Craft Award for Writing at the Streamy Awards. - Wikipedia
4Korners
Bandmanrill
Siril Pettus, known professionally as Bandmanrill, is an American rapper and songwriter from Newark, New Jersey. He is currently signed to 100%Pure and Warner Music Group and is noted as a pioneer of the hip-hop scene with his fusing of elements of Jersey club and drill.
Baro Sura
Mac Miller’s posthumous album, Circles, contains only one guest appearance. “Hand Me Downs” features Melbourne, Australia singer and rapper Baro, who sings and plays drums on the track. Baro has been releasing music since he was still in high school. In 2013, he released a 16-track project titled The Earth is My Living Room on Bandcamp.
The next year, he broke through at the age of 17 by catching the attention of outlets like Noisey and Acclaim Magazine with his ‘90s-inspired mixtape, HOWGOODISGOOD?. Reviews praised the project for Baro’s jazzy production and his laidback flow.
In 2015, Baro toured throughout Australia and released an EP titled 17/18. The teenage rapper told Happy Mag that the project isn’t about growing up, but rather “a non linear story book which all ties together in mine and my friends [sic] heads.”
Although his musical output was relatively quiet in 2016, Baro still furthered his craft by dropping demos on SoundCloud and Tumblr. He also toured alongside fellow Melbourne artist REMI and played the Australian festival circuit.
May 2017 saw the release of his next EP, Just Problems You Need To Know.
The next year, he broke through at the age of 17 by catching the attention of outlets like Noisey and Acclaim Magazine with his ‘90s-inspired mixtape, HOWGOODISGOOD?. Reviews praised the project for Baro’s jazzy production and his laidback flow.
In 2015, Baro toured throughout Australia and released an EP titled 17/18. The teenage rapper told Happy Mag that the project isn’t about growing up, but rather “a non linear story book which all ties together in mine and my friends [sic] heads.”
Although his musical output was relatively quiet in 2016, Baro still furthered his craft by dropping demos on SoundCloud and Tumblr. He also toured alongside fellow Melbourne artist REMI and played the Australian festival circuit.
May 2017 saw the release of his next EP, Just Problems You Need To Know.
BIJOU
BIJOU, has not only set a new standard; he is the new standard. As a distinguished leader in the g-house movement, this DJ/producer has consistently proven he has what it takes to thrive in the scene, even despite the hardships the industry faces today.
BIJOU, real name Ben Dorman, has gained all the necessary street cred and then some, starting with his show-stopping collaboration with Dr. Fresch, “Hello,” in 2016. Cue six career-defining years, a hot streak of successful singles (i.e. “Crown” feat. Tyler Graves, “Floetry” feat. Ro Ransom) and EPs (i.e. ‘Gangsta Party,’ ‘Super Phat’), four headlining US tours, and the launch of his own label, Do Not Duplicate Records (DND RECS) — and BIJOU has taken over to no shock.
Riding the momentum of his massive ‘Crown Tour,’ BIJOU continued writing and refining material that would become his debut album, ‘Diamond City.’ With this new release, BIJOU puts Phoenix on the map and carries the city on his back with his distinct hybrid fusion of bass house, tech house and closely related genres. Featuring standout collaborations, “Benjamins” feat. Wifisfuneral, “FTP” feat. Denzel Curry, “Baller” feat. Cuban Doll, and “WHOA” feat. Party Favor, this instant classic album has reiterated BIJOU’s indispensable presence in the scene and will stay well rinsed for years to come.
Reflecting on BIJOU’s career thus far, much can be attributed to his strong work ethic and endless nights spent in the studio. By infusing timeless styles of hip hop and classic house, BIJOU stays satisfying the current house craving with productions live enough for the underground, but mean enough to hold down any main stage.
BIJOU, real name Ben Dorman, has gained all the necessary street cred and then some, starting with his show-stopping collaboration with Dr. Fresch, “Hello,” in 2016. Cue six career-defining years, a hot streak of successful singles (i.e. “Crown” feat. Tyler Graves, “Floetry” feat. Ro Ransom) and EPs (i.e. ‘Gangsta Party,’ ‘Super Phat’), four headlining US tours, and the launch of his own label, Do Not Duplicate Records (DND RECS) — and BIJOU has taken over to no shock.
Riding the momentum of his massive ‘Crown Tour,’ BIJOU continued writing and refining material that would become his debut album, ‘Diamond City.’ With this new release, BIJOU puts Phoenix on the map and carries the city on his back with his distinct hybrid fusion of bass house, tech house and closely related genres. Featuring standout collaborations, “Benjamins” feat. Wifisfuneral, “FTP” feat. Denzel Curry, “Baller” feat. Cuban Doll, and “WHOA” feat. Party Favor, this instant classic album has reiterated BIJOU’s indispensable presence in the scene and will stay well rinsed for years to come.
Reflecting on BIJOU’s career thus far, much can be attributed to his strong work ethic and endless nights spent in the studio. By infusing timeless styles of hip hop and classic house, BIJOU stays satisfying the current house craving with productions live enough for the underground, but mean enough to hold down any main stage.
Brian White
Brian's unique touch has helped distinguish himself as a top tier producer having worked on songs for legends like Lil Wayne, Yo Gotti, Kodak Black, and many more.
Cesar Santalo
Up-and-coming Cuban-American, Miami born artist Cesar Santalo is an R&B singer who blends layers of Hip-Hop throughout his tunes.
DALE
Danny Shyman
Danny Shyman was born in Chicago, Illinois. When he was 23, he studied west African drumming. He later became a music producer and joined the production group That’s Not It, working with artists such as Trippie Redd, Juice Wrld, Rich The Kid, NBA Youngboy, and Diplo.
Gianni Taylor
Jonatan Villa Taborda
Ktlyn
When San Diego-native rapper Ktlyn first performed in front of a live audience, it was at the Peppermint Club in LA—a venue that holds 250 people. The second time, 9,000 fans sang every word of her verse back to her at the Coca-Cola Roxy in Atlanta.
She names Eminem, Jay-Z, Nicki Minaj, and Lil Wayne as early influences, helping her fall in love with the genre as she dove into the intricacies of hip hop.
Ktlyn has managed her way towards record deals, a platinum single, touring, and getting her music featured in TV commercials. Before stadiums in Atlanta and millions of adoring fans, though, Ktlyn was just another aspiring artist getting lost in the crowd.
She names Eminem, Jay-Z, Nicki Minaj, and Lil Wayne as early influences, helping her fall in love with the genre as she dove into the intricacies of hip hop.
Ktlyn has managed her way towards record deals, a platinum single, touring, and getting her music featured in TV commercials. Before stadiums in Atlanta and millions of adoring fans, though, Ktlyn was just another aspiring artist getting lost in the crowd.
Marcos G
When marcos finally decided to make the leap into making his own music, he had to create his own sound. To do that, he leaned on his Floridian roots. In his hometown, he was surrounded by Bachata and Salsa. Still, he had to find a way for his own love for new hip-hop sounds and classic R&B to come through. You can hear the way he's chosen to amplify hip-hop beats and weave together rhythmically Latin-leaning themes in songs like "stay" and "Dancefloor."
Mateo Correa
Matthew Zolly
Matt Zolly grew up obsessed with the iconic music videos and commercials of the late 90's and early 2000s that formed distinct visual identities for artists and brands. He aims to echo the same sentiments in the short form content that he directs. For Matt, pre-production is just as important as shoot days. After spending 6 years producing for the likes of The Weeknd, Travis Scott, Charlie Puth, Lil Uzi Vert, 5 Seconds of Summer, Kehlani, The Fast and Furious Franchise, Oliver Tree, adidas, Reebok, Mercedes Benz, and Hypebeast, his fierce attention to detail molded him into a Director that will stop at nothing to achieve a unique aesthetic that will leave a lasting impression. Over the last couple of years, Matt has directed for the likes of Hennessy, Target, Asus Computers, Kajabi, YG, Chance The Rapper, Charlie Wilson of The Gap Band, IDK, Trippie Redd, Luh Kel, Piink Siifu, B.CoolAid, A.Chal, Mozzy, Guapdad4000, and Ricky Lake. He is currently gearing up to release a short film on the acclaimed painter, Ferrari Sheppard.
Raf Saperra
A man of many names, talents and dreams, South London born Raf Saperra is a shining example of what it means to be 'British' while remaining devoted to his South Asian roots.
Raf has dedicated the past decade learning from the masters of Punjabi Folk. Breathing new life into the rhythms of his South Asian ancestors, Raf offers a succinct and recognizable vocal presence, all the while directing some of the most influential music videos in his respective niche.
Raf has dedicated the past decade learning from the masters of Punjabi Folk. Breathing new life into the rhythms of his South Asian ancestors, Raf offers a succinct and recognizable vocal presence, all the while directing some of the most influential music videos in his respective niche.
Rella
A New Zealand-based singer and rapper known for tracks like "Follow Me" (2017) and the album ETERNAL (2023). His sound is characterized as a blend of rap and melodic, personal songwriting.
Souly Had
Harrison McQueeney—better known as Souly Had—is a pop and R&B artist from upstate New York, namely Albany:
"I’m trying to make a name for upstate N.Y. almost, and be the first one to really do it from out of here."
Hailing from the Empire State’s capital, the “All the Time” artist states in his SoundCloud bio that he is one sixth of his group, Entréband. He shares in an interview along with the group that his love-story music stems from his own life and experiences, bringing true integrity to the tracks.
"it’s literally directly inspired off a couple of girls"
Reported from an article from The Observer, Souly’s music started gaining traction into mainstream whilst he was studying at college. Spotify themselves started picking up his songs for their branded playlists, and shortly after he signed himself to Island Records.
Harrison announced his independence from his label via Instagram on August 7, 2021. He details his feelings about the process, but evidently is excited for the future of his music.
"all in all i’m excited to be able to start fresh and i think this is a rlly good thing"
"I’m trying to make a name for upstate N.Y. almost, and be the first one to really do it from out of here."
Hailing from the Empire State’s capital, the “All the Time” artist states in his SoundCloud bio that he is one sixth of his group, Entréband. He shares in an interview along with the group that his love-story music stems from his own life and experiences, bringing true integrity to the tracks.
"it’s literally directly inspired off a couple of girls"
Reported from an article from The Observer, Souly’s music started gaining traction into mainstream whilst he was studying at college. Spotify themselves started picking up his songs for their branded playlists, and shortly after he signed himself to Island Records.
Harrison announced his independence from his label via Instagram on August 7, 2021. He details his feelings about the process, but evidently is excited for the future of his music.
"all in all i’m excited to be able to start fresh and i think this is a rlly good thing"
Shumaq
Shumaq is an exceptionally talented artist who effortlessly blends hip-hop and pop into a genre-defying symphony. Initially turning heads with the infectious hit "Bottles N' Coliseums,” he showcased his originality and set the stage for a unique sonic journey. From the sun-soaked beach atmosphere of "WestSide" to the hauntingly captivating mellow rap in "Unfortunate," Shumaq showcases versatility that will keep you hooked. As a genre-bending artist and skilled multi-instrumentalist, he's not just breaking the mold; he's crafting a whole new one.
Sticky Fingers
Sticky Fingers is an Australian Indie rock band formed in 2008 in Sydney. The band consists of Dylan Frost, Paddy Cornwall, Seamus Coyle, Beaker Best and Freddy Crabs. Former band member Taras Hrubyj-Piper left the band in 2009, shortly after their debut EP Helping Hand was released.
Taras Hrubyj-Piper
Tom Cardy
Tom Cardy (born 12 June 1994) is an Australian comedian, musician, songwriter, and actor. He became known in Australia for his "Song Sequels" segments on the radio station Triple J in 2020, and achieved more international recognition when he began posting comedy songs and videos on TikTok and YouTube. He has composed music for the comedy series The Feed and The Moth Effect, as well as the animated web series Helluva Boss. His debut EP, Artificial Intelligence (2021), peaked at No. 40 on the ARIA Albums Chart. He was shortlisted for the AACTA Award for Favourite Digital Content Creator and the Craft Award for Writing at the Streamy Awards.
Wild Party
In the bowels of the Southgate House, amidst the fog of Newport, Kentucky, there emerged a sonic tempest that could rattle the bones of the dead. Wild Party, a troupe of misfit minstrels hailing from the dusty plains of San Antonio, stormed the stage with all the fervor of a band possessed.
The Lead singer, a gaunt apparition reminiscent of a young David Byrne, clad in blue-striped shirt workman pants and a belt cinched tight, commanded the stage with a presence redolent of the Smiths. His voice, a melodic howl soaring above the cacophony, declared war on the mundane, promising to melt faces and souls alike with their emotive intensity.
Beside him stood a cadre of musical warriors, each wielding their instruments like weapons of mass seduction. Cary, the drummer, unleashed thunderous salvos from behind his darkened glasses, his solos igniting the crowd into a frenzy. Bassist Ethan Kaufman, doubled on Strat , laid down a groove so deep it threatened to swallow the audience whole.
But it was Lincoln Kreifels, with his Nero haircut and Weezer-esque vocals, who stole the show, his emotional wailing weaving seamlessly with the band's driving rhythms. And let us not forget Lucas Hughes, the silent assassin on lead guitar, his faux vinyl siding styled Fender Telecaster channeling the spirits of rock gods past with each chord.
As the night wore on, Wild Party's sonic assault showed no signs of abating. They traversed the landscape of alt-pop, their melodies and harmonies intertwining like lovers in the throes of passion. And we, the old guard, mere spectators in a sea of youthful exuberance, could only stand in awe, disguised in black and lurking in the shadows, as the music washed over us like a tidal wave of sound.
For Wild Party, the journey is far from over. With a Spotify audience swelling to over 350,000 and a new album on the horizon, they are poised to conquer the nation, one small venue at a time. And as we stumble out into the cold Kentucky night, ears ringing and hearts pounding, we can only wonder what other wild parties lie in wait on the horizon
The Lead singer, a gaunt apparition reminiscent of a young David Byrne, clad in blue-striped shirt workman pants and a belt cinched tight, commanded the stage with a presence redolent of the Smiths. His voice, a melodic howl soaring above the cacophony, declared war on the mundane, promising to melt faces and souls alike with their emotive intensity.
Beside him stood a cadre of musical warriors, each wielding their instruments like weapons of mass seduction. Cary, the drummer, unleashed thunderous salvos from behind his darkened glasses, his solos igniting the crowd into a frenzy. Bassist Ethan Kaufman, doubled on Strat , laid down a groove so deep it threatened to swallow the audience whole.
But it was Lincoln Kreifels, with his Nero haircut and Weezer-esque vocals, who stole the show, his emotional wailing weaving seamlessly with the band's driving rhythms. And let us not forget Lucas Hughes, the silent assassin on lead guitar, his faux vinyl siding styled Fender Telecaster channeling the spirits of rock gods past with each chord.
As the night wore on, Wild Party's sonic assault showed no signs of abating. They traversed the landscape of alt-pop, their melodies and harmonies intertwining like lovers in the throes of passion. And we, the old guard, mere spectators in a sea of youthful exuberance, could only stand in awe, disguised in black and lurking in the shadows, as the music washed over us like a tidal wave of sound.
For Wild Party, the journey is far from over. With a Spotify audience swelling to over 350,000 and a new album on the horizon, they are poised to conquer the nation, one small venue at a time. And as we stumble out into the cold Kentucky night, ears ringing and hearts pounding, we can only wonder what other wild parties lie in wait on the horizon
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